Full reviews/musings on some of the 'curated' Fringe this year over on Culturebot.org. I had a fun time gnawing on Jerome Bel, whose work makes me depressed about structures of dance funding. And my interview with Faustin Linyekula left me with a fire under my ass. He's fucking brilliant. Watching Boriz Charmatz work was basically people watching, and giving things and strangers nick names. It's all here!